Emotional intelligence… for pre-tweens…
How do you pull out a quote from this? It covers so much ground, my excerpt would be as long as the whole thing.
Emotional intelligence… for pre-tweens…
How do you pull out a quote from this? It covers so much ground, my excerpt would be as long as the whole thing.
Plants are in constant communication with each other. … Any place that roots touch other roots or their shared mycelial network, they can also exchange chemistries, medicines. One plant will send out a chemical distress call. The others will respond with precise antibiotics, antifungals, antimicrobials, or pesticides to help. Like my chickens when they sight a hawk, plants will give out an alarm call when a predator is near. Lima beans will release chemicals that warn other lima beans when they are being attacked by spider mites. When something ambulatory brushes past a plant in the woods, not only does the affected plant respond by stiffening as best it can, it also sends out a chemical warning that allows all the other plants nearby to stiffen their branches in preparation.
And there’s more. Buhner talks about archipelagos of plant communities, groupings of interconnecting plants around a dominant or keystone species, usually a tree. These archipelagoes form in response to mysterious and unpredictable cues, and often announce the wholesale moveent of ecosystems. The process begins with an outsider or pioneer plant, who literally prepares the soil for its cohorts. When the soil is ready, the nurse plant sends out the chemical message, join me. …
Once established, the keystone plant then calls the bacteria, mycelia, plants, insects, and other animals necessary to build a healthy and resilient community. The keystone’s chemistries arrange the other species and direct their behavior. “This capacity of keystone species to ‘teach’ their plant communities how to act was widely recognized in indigenous and folk taxonomies.” Elder trees are called elders for a reason.
— The Vegetarian Myth page 88, talking about The Lost Language of Plants by Stephen Harrod Buhner.
And on and on about the amazingness of trees. Using 2/3 of their water to feed other beings, making masses of chemicals for other species, living for thousands of years. “They literally control life on earth.” I swoon. I love appreciating plant activities.
When I was vegetarian I would regularly find myself in conversations with folks who loved animals and joked that as vegetarians, their role was to kill all plants. I know it’s a joke, but I did find plant appreciation kind of lacking overall in vegetarian discussions. Some love for produce sometimes (local tomatoes, etc), but it’s funny to me to read this wide-eyed tree worship as part of an author’s journey to meat eating.
Been thinking so much about being vulnerable with people and asking for help, while sorting through surprising and painful life changes. Noticed this old quote kicking around as a draft and liked it all over again today. It’s about food, but I’m thinking about feelings when I read the bit about not trying to get out of debt, not trying to be self-contained.
In his book Long Life, Honey In The Heart Martin Pretchel writes of the Mayan people and their concept of kas-limaal, which translates roughly as “mutual indebtedness, mutual insparkedness.” “The knowledge that every animal, plant, person, wind, and season is indebted to the fruit of everything else is adult knowledge. To get out of debt means you don’t want to be part of life, and you don’t want to grow into an adult,” one of the elders explains to Pretchel.
… This is a concept we need, especially those of us who are impassioned by injustice. I know I needed it. In the narrative of my life, the first bite of meat after my twenty year hiatus marks the end of my youth, the moment when I assumed the responsibilities of adulthood. It was the moment I stopped fighting the basic algebra of embodiment: for someone to live, someone else has to die. In that acceptance, with all its suffering and sorrow, is the ability to choose to live a different way, a better way.
— From The Vegetarian Myth by Lierre Keith, page 5.
Ex-vegetarian inspiration strikes again.

Not least for Halloween ideas.

Xiu Xiu: It was more after having read his books. I don’t think I could’ve written a song like that without having read his books. [laughs] I don’t know how to put this. He raised my consciousness about how far you can push something. He helped me to feel— not necessarily that it was okay to be more open— but that it was possible to be more open. It wasn’t so much that he made me feel that being open was acceptable; he served as a model for openness because he’s so successful at it— at frankness. Does that make sense?
— Jamie Stewart talking to Pitchfork in 2006 (Yes, quoting from the Hipster Times on personal growth. See also burning buildings.)


I just read several knitting books and several anti-colonial books at the same time, and I have all these new ideas about my own knitting. As happens when you read different topics at the same time, I found where they overlap and connect. An example.
From Michael Pearson’s Traditional Knitting: Aran, Fair Isle and fisher ganseys, 1984.
Pages 121-2.
[The Shetland Islands] lie to the north east of Britain and are in fact closer to Norway than mainland Scotland. … The inhabitants owe their heritage to the Norsemen who settled there in the 8th and 9th centuries, living under the patronage of Norway for over 500 years before the influx of Scottish mainlanders in the 13th century. Norse influence then began to fade and ended with the sale of the islands in 1496 by Norway to the Scottish Crown.
From this date right through to the present day the history of the inhabitants has been one of ruthless exploitation— by the Stuart family till 1615 and then by the splitting up of the islands into estates run by rich immigrant Churchmen and landowners…
The two knitting traditions that had the most resonance for me were Cowichan sweaters and Fair Isle knitting, both affected by Scottish colonialism. The more I read about Scottish history, the more it seems like Scotland has been a volcano of settlers for hundreds of years. They can’t stay home. Why? I continue to read. I want to know more about how I ended up here, descended from at least five different Scottish settler families on Coast Salish territories.
But. Ideas I got from this round of reading.
More from Michael Pearson.
Page 128.
Because of the natural tendency to identify with areas within reach, British knitters have usually assumed that Fair Isle was the place where two-colour knitting was invented.
I don’t know how natural that is. It does seem to be part of British and maybe European culture, to assume cultural dominance or sameness. Do non-Euro people have a history of that too? Assuming that everything was invented nearby just because it’s here now? (Two colour knitting, as far as I have been able to find out, first turned up in Turkey and Egypt, then spread via trade routes to Baltic and Nordic Europe.)
This ten year old interview of John Zerzan by Derrick Jensen is helping me think about technology.
DJ: Let’s talk more about technology. Isn’t technology just driven by curiosity?
JZ: You hear people say this all the time: “You can’t put the genie back in the bottle”; “You’re asking people to forget.” Stuff like that. But that’s just another attempt to naturalize the craziness. And it’s a variant of that same old racist intelligence argument. Because the Hopi didn’t invent backhoes, they must not be curious. Sure, people are naturally curious. But about what? Did you or I aspire to create the neutron bomb? Of course not. That’s crazy. Why would people want to do that in the first place? They don’t. But the fact that I don’t want to create a neutron bomb doesn’t mean I’m not curious. Curiosity is not value free. Certain types of curiosity arise from certain types of mindsets, and our own “curiosity” follows the logic of alienation, not simple wonder, not learning something to become a better person. Our “curiosity,” taken as a whole, leads us in the direction of further domination. How could it do any other?
things that came up that i expected:
I’ve been hunting around for radical political magic. I ran into this pretty great book review by a druid, The Spells We Are Under, because it popped up somewhere under the site title “Healing Whiteness.”
[Van] Jones was astonished to find that the vast corporate structures against which he and many other progressives had been campaigning so hard— the WTO, the World Bank, and so on— were treated, by the people who run them, as mere tools to be used or tossed aside at will. The elite see themselves personally as the holders of power, and institutions as their means and modes of power. The activists outside the police barricades, by contrast, see the institutions themselves as the problem. The scene from “The Wizard of Oz” comes forcefully to mind; Dorothy and her friends try to figure out some way to deal with the terrifying apparition of Oz, the Great and Powerful, but never notice the little man behind the curtain.
Juxtaposed with:
Consider George Lakey’s fascinating account of the Otpor movement against Serbian dictator Slobodan Milosevic… One of the tactics Otpor members used to halt police violence against them was to take photos of their wounded and make sure the family members, neighbors, and children of the police got to see them. This was a brilliant bit of magic. The individual human beings who made up that reified abstraction, “the police,” were stripped of that identity by a spell of unnaming, and turned back into neighbors, husbands, children, parents: people who were part of civil society, and subject to its standards and social pressures. That couldn’t have been achieved if Otpor had reified and protested “police brutality,” since that act would have strengthened the reification of police as something other than ordinary members of society.
I know this idea from non-magical people too. (“Those big, powerful corporations have offices and CEOs with addresses.”) But I like having a name for this shift in perspective, and I think I like having a name that triggers dork associations about hobbits and +5 strength against goblins.
Talking to Heather about embodiment, being in your body. She had an idea that maybe when teenagers are focussed on having sex even when it is pretty “rape-y” and risky and not beneficial or pleasurable, it has partly to do with their lack of other ways to feel their physicality and be in their bodies. No access to nature, nowhere to safely walk, not allowed to play outside unsupervised, even encouraged to eliminate or replace all body odours, etc. That’s a lot of pressure on sex for being physical.
It got me thinking about how I relate to the internet. I’m on here a LOT, in this disembodied place.
Anyway. I’ve been realizing that one of my big ways to be in my body for the last year or so has been looking at things. Sensing with my eyes, and sensing the reactions my body has to colours and shapes (and letters, boy howdy). When I got to go to the UK with my mum last fall, and we spent so much time in art galleries because it was rainy, that was the most physically altered I’ve felt since I stopped eating psychedelic drugs. High on modern art— physically dizzy and speedy and sometimes getting auras like before a migraine, from seeing enough art nouveau in one room to really experience and understand the concept of biomorphic whiplash. I made this website these colours because they do similar things to me— they are stimulating and encouraging and they make me want to write. I remember using music that way in the past. Galen would come home sometimes and be able to tell when I was working on something important, because I’d be blasting some or other personal power music. In high school— I just remembered this— I did a lot with smells. Other people’s sweaters, specific incense, open window when it rained.
*** where does fucking fit in?? ***
So, notably, none of this involves movement or muscles. It’s all sensing and processing and information. It’s physical to me, but it’s what a lot of people would identify as being in your head.
My forays into physical activity are marked by a lot of head time, too. Office bike— the exercise bike I can pedal while I make websites. Wing chun— if I have to punch and kick to learn which way shoulders bend and how momentum works, I guess that’s alright. Fucking— “erotics is the process through which sex acquires meaning.” I think I get bored, otherwise.
I’ve been casting around for some more physical motion in my life, to make me stronger.
I have high hopes for a bastardized version of this pretentious French art thing, the dérive, or drift. Walking to nowhere. OK. I do not like walking for the sake of walking, even though I love walking. Growing up, my parents were all about taking a walk, but not so much about negotiating where to walk or talking about what they feel like on the walks or whatever, so I have a lot of stored up experience being deeply bored with walks.
Walking to nowhere: ok. Just paying attention to see where you want to walk the most: ok. Also, paying attention to local geography and how it feels, that can go on forever. I think this could be useful in trying to figure out more of how I relate to being a settler on colonized land.
So yeah, I’m glad I’ve practiced walking by myself, home alone from various locations. I’m glad Victoria is a mostly non-threatening place for me to walk around.
In a world where the quantity of secondary (mediated) observation and interpretation threatens to drown us, the imperative to renew and expand our observation skills (in all forms) is at least as important as the need to sift and make sense of the flood of mediated information. Improved skills of observation and thoughtful interaction are also more likely sources of creative solutions than brave conquests in new fields of specialised knowledge by the armies of science and technology.
The icon for this principle is a person as a tree, emphasising ourselves in nature and transformed by it.
— David Holmgren, co-originator of the permaculture concept, in Permaculture: Principles and Pathways Beyond Sustainability
I saw a post about photographer Catherine Opie and went looking for more, but after some hunting I think I like the little set of self-portraits from the original blog post best.

Galen is getting his hair cut by a ten year old in a few weeks, as part of a performance about the segregation and disenfranchisement of children in society. An opportunity to trust the skill and style choices of a kid. I think this is a great idea for a performance and I’ve been telling a lot of people about it. (More explanation if you want it.)
I am not getting my hair cut. It turns out I am still terrified of bad hair cuts. I’m not terrified of no make up, belly rolls, showing cellulite in public, body hair, laundry day outfits, etc. But hair cuts, yes. I’m fascinated.
I had unflattering hair cuts that didn’t express my soul essence for about 13 years in a row, between my mum deciding I looked cute with a mushroom cut in grade 1, through a lot of small town $7 haircuts, through getting my friends to chop off my hair in grade 11 (somewhat better), through shaving it off in grade 12 (worse again), growing that out a bit (better again), and deciding to go to my grandmother’s hair stylist when I moved to Victoria. That was how much I knew about haircuts when I was 18. I thought the neighbourhood wash-n-set was the place to go for the punk rock haircut of my dreams. Granny’s stylist did alright as long as I kept it really short. It took me until I was about 20 to realize there were people who knew how to create a haircut on purpose, rather than just cutting to the approximate length and hoping for the best. My hair trauma is not helped by the coincidence that I was a giant nerd during pretty much the exact same time as the ugly haircuts. That photo shows me five minutes after having my hair cut and styled at some $10 Hair Hut type place at the mall in my hometown. It also shows me about 1 month into a three year stretch of on-and-off suicidal depression. COINCIDENCE? I’m joking about 50%. I could have used a hair mentor.
So. This haircuts by children performance may have cured me of my inner judgments about feminist environmentalists who won’t talk about reusable menstrual products. The shoe is on the other foot now. And even making that connection might help me sort out my hair terror. I had my share of menstrual shame and angst as a teenager. Maybe if I think about how I rearranged that, I’ll be able to rearrange my hair anxiety into something more in line with the rest of my values.
In the meantime I am telling a lot of people about these haircuts by children. So far I’ve prompted I think three people to set up appointments, one of them a stranger.
Keywords for me: BDSM, gender, cystic fibrosis, self-actualization, poetry.
The first time I watched this I got mesmerized and teary and couldn’t tell how much time had passed, especially during the list of hardware and tools.
I’ve been considering the idea of giving all my kids different last names. Resurrecting various maiden names or something, picking them the way people often pick middle names out of their whole pool of known family names.
I think it is mainly being married that has me thinking about names and name systems. It’s easy to skip that whole “married name” business, but if you want to give your kid some kind of awesome, non-patriarchal name you actually have to come up with a plan. That gets complicated really fast, even in the common, surface solutions like hyphenating last names or using the mother’s family name in an attempt to go matrilineal (by passing on her dad’s name). All of those schemes run into the usual problems if there is a break from monogamy, if anybody leaves a relationship, breeds with more than one person, or dies. The “team name” gets broken all the time, even if you are trying to play along. Even just making up a new last name doesn’t solve the question of what the grandkids would be called.
Family structures and systems are fucking intense. Where do they all come from? Which ones are good? Research questions.
This multiple last name idea has been wildly unpopular with everyone I’ve mentioned it to. Intensely unpopular. Instant frowning. Worst idea ever. I still kind of like it. Galen and I already have different last names and we manage to be a family team. Maybe it would be good, if we had kids, to remember that they were individual people and not just “ours.” Maybe a team name is just a manifestation of compulsory/wishful monogamy and maybe we can do better than that. It scales well across multiple generations, unlike, say, hyphenation. I’m lucky enough to know a lot of my ancestral family names, and it seems like maybe reusing them would be a fairly robust way to remember your lineage if you moved or were displaced. Or maybe it would just make it impossible to find each other again.
Lacking a unified last name, maybe we could give our household its own name, to make it easy to refer to. That happens sometimes with places populated by roommates. (I’m thinking of places I’ve known called The Husbandry, The Folk Museum, The Queens Den, The Triple Crush Palace…). That doesn’t solve anything about family members who don’t live in the same home, but it’s a start.
This is unresolved. I just found an old booksale purchase called World Revolution and Family Patterns that I’m hoping might contain some inspiration. I also found a Kurt Vonnegut quote via Bex that I have filed away.
12. … Even when Vonnegut dared to propose a utopian scheme, it was a happily dysfunctional one. In Slapstick, Wilbur Swain wins the presidency with a scheme to eliminate loneliness by issuing people complicated middle names (he becomes Wilbur Daffodil-11 Swain) which make them part of new extended families. He advises people to tell new relatives they hate, or members of other families asking for help: “Why don’t you take a flying fuck at a rolling doughnut? Why don’t you take a flying fuck at the mooooooooooooon?” Of course, this fails to prevent plagues, the breakdown of his government, and civil wars later in the story.
Complicated middle names: noted.
I ingested a lot of Alan Moore media when The Watchmen movie came out this month, and I really loved his take on magic (in the sense of spells and incantations, not card tricks) in a interview with Stewart Lee. The magic topic starts at about 5:30 of part three. (Part 1, and part 2 if you want them.)
I suppose the thing with magic is that a lot of it is about writing anyway. “To cast a spell.” That’s a fancy way of saying spelling. Grimoire, the big book of magical secrets. That’s a French way of saying ‘grammar.’ It’s all about language and writing. It’s all about incantation. It’s all about all these things. And so magic, really, it turns out to just be a continuation of the stuff I’ve been doing anyway. Using certain arrangements of words or images to affect people’s consciousness.
I decided to keep that for my multi-year quest about how to communicate. Magick and neo-paganism is a minefield of gender terrorism and cultural appropriation, a bring your own analysis situation. But still, folks who are into magical spells do have a lot of ideas and practice related to speaking intentionally.
After keeping it on my (giant) reading list for years, I finally read Stone Butch Blues recently, and I saved this quote about semi-applicable resources.
I felt as though I was rushing into a burning building to rescue the ideas I needed in my own life.
It’s been a pretty good spell so far— I say it a lot when I’m getting inspired by a book that has a lot of problems and maybe embarrasses or enrages me. It’s good for books written by druids.
These are quotes from Women Who Run With The Wolves that have been sitting here with no context, unpublished, since February 2009. I think I was interested in talking about love beyond infatuation, love as an action or alliance instead of a feeling. I still am.
I haven’t posted anything here, or done much writing at all, for many months. Spitting out some old drafts seems like a good re-entry. I seem to do this every now and then. Maybe I can promote it as a personal feature instead of a bug.
Anyway. Old quotes.
A part of every [person] resists knowing that in all love relationships Death must have her share. We pretend we can love without our illusions about love dying, pretend we can go on without our superficial expectations dying, pretend we can progress and that our favorite flushes and rushes will never die. But in love, psychically, everything becomes picked apart….
What dies? Illusion dies, expectations die, greed for having it all, for wanting all to be beautiful only, all this dies. Because love always causes a descent into Death nature, we can see why it takes abundant self-power and soulfulness to make that commitment.
More…
In wise stories, love is seldom a romantic tryst between two lovers. For instance, some stories from the circumpolar regions describe the union of two beings whose strength together enables one or both to enter into communication with the soul world and to participate in fate as a dance with life and death.
And more.
It is true that within a single love relationship there are many endings. Yet, somehow and somewhere in the delicate layers of the being that is created when two people love one another, there is both a heart and breath. While one side of the heart empties, the other fills. When one breath runs out, another begins.