I need to organize more time to hang out naked with my friends. I love it so much. In the summer, there is usually night swimming and maybe this year I’ll go to our local nudie lake with it’s one hilariously small dock. But what about winter? What about now? I don’t think there is a women’s bath or anything in this town. I need to organize some nudeness at home. Anybody want to come over and take expressive naked photos? Give me a call.
Tag: feelings
Down with praise, emotional dentistry, granfallooning.
I continue to publish drafts that have been lingering in the archives. This one lingered because it was veering towards criticising my friends and I was too scared and distracted to get it to a place that was honest and compassionate instead of either judgmental or passive. Check out how non-intense it is. This is the type of stuff that has been terrifying me for years. It’s kind of funny.
. . .
9 Feb 2008
I just went to the dentist for the first time in about seven or eight years. This particular dentist is explicitly “an emotional guy” who gives a lot of compliments about teeth, and expresses a lot of care and encouragement about your dental health. Full on, “I know I just met you, but I really care about your teeth and gums, because I know that dental health can really impact a person.” Totally sincere, enthusiastic. OK. Awesome. It also ran right into this discomfort I have with receiving compliments and praise, which I thought about a lot on the walk home from my appointment.
So I’ve been wanting to write out my ideas about praise and compliments, but I’ve determined that first I need to deal with this other dentist-related thing, being that a lot of my friends go to the same dentist and I’m a bit afraid of sparking some “we’re all in the Dr. Bjornson club!” celebrations. (This is a real “everything good is actually bad!” kind of post. I dislike compliments, and furthermore I dislike belonging! No fun allowed!) I’ve been belatedly discovering Kurt Vonnegut’s books, and in the last one I read (Cat’s Cradle), he uses this invented word, granfalloon, to describe an allegiance based on a shallow or pointless shared trait, like being from Iowa or going to the same dentist. I am happy to have this word, even just to clarify for myself that I don’t want to avoid all kinds of belonging. Only granfallooning gets the diss, because it is meaningless and distracting, and is, I think, a kind of vanity.
. . .
So, then, over a year later, I’ve thought a lot about my problem with compliments. I think there are two parts; one where I’m crazy and one where some compliments are crazy. I have book quotes to go with both of these.
The part about living in a crazy world is like this. From Nonviolent Communication.
Conventional compliments often take the form of judgements, however positive, and are sometimes offered to manipulate the behavior of others.
And the part about my own craziness goes like this. From Women Who Run With The Wolves, in a chapter about procrastination and creative blocks.
Troublesome contaminants in the river [of soul/creativity] are obvious when a woman turns away sincere compliments about her creative life. There may be only a little pollution, as in the offhanded “Oh, how nice you are to give such a compliment,” or there may be massive trouble on the river: “Oh, this old thing” or “You must be out of your mind.” … These are all signs of an injured animus. Good things flow into the woman but are immediately poisoned.
Not that my teeth are my creative life, but being a person who was both terrible at accepting compliments and struggling with intense procrastination at the same time, I figure it translates.
Another fashion face mask.
I still note pictures of masks in fashion and pop culture. I go on long quiet breaks every few years, but I also ponder some topics for years and years. I am trying to figure out what this persistence/absence is about. Hiding out whenever I am processing anything? Needing to be better at learning in public? Being a generalist and working on a thousand things at the same time, gradually, over a long period of time? Those are good starting ideas.
This mask, I think I like because it is both campy and inhuman. The pantyhose fabric is so gross that it’s funny, but then the full face coverage is too creepy to be fun. I am delighted.
I will leave the “gosh models are skinny, etc” disclaimer as an exercise for the reader.
An anti-war horror movie I’d like to see, old random drafts.
In the spirit of spitting things out rather than polishing them forever and driving myself crazy, I’m going through my archives and publishing drafts.
A couple of years ago I was reading a lot about horror and monsters. At some point I saved quotations from The Monster Show: A Cultural History of Horror.
p.186, regarding WWI vets.
The Frankenstein pictures continued to be a cultural dumping ground for the processed images of men blown to pieces, and the shell-shocked fantasy of fitting them back together again.
That was the first idea I ever heard about horror as a mirror of culture, from a Chuck Palahniuk interview. It doesn’t make me want to watch horror movies, particularly. But this next movie is something I would like to see.
p.205-6
For his unnerving final sequence— completely irrational, but nonetheless a devastating moral statement— [Abel] Gance recruited actual members of the Union des Gueules Cassées, and created a nightmarish montage of all the ruined faces that had been haunting the world’s cinemas for the past fifteen years in the guise of “horror entertainment.” The actual men are nameless, but they could easily be the living models for the masks worn by Lon Chaney, Boris Karloff, Lionel Atwill, and others. As a conscious antiwar statement, J’Accuse is superior; as an unintentional revelation of horror’s major subtext in the twenties and thirties, it is breathtaking.
Re-entry, being Scottish, the other end of cultural appropriation, not yet being able to write short sentences but maybe one day.
I’ve been sitting here for three weeks attempting to write my grand re-debut in blogging, where I would declare my intention to overshare again like I haven’t since about 2002, note that a lot of anxiety that I was blaming on work deadlines actually seems to stem from not writing enough about things I care about, and delve into the limitations I’ve been accidentally sticking to regarding not scaring my family or offending my friends or embarrassing my partner, but how about I skip that for now since it has become a bit of an albatross, and just post something already?
Yes!
So I’ve been thinking about European ethnicities, whiteness, colonialism, and cultural appropriation, and what I need to do to make sense of being, apparently, of 100% Scottish ancestry.
This Scottishness is new-ish information because my dad was adopted. Until my dad (or my mum?) saw his adoption paperwork a couple of years ago I thought of myself as half Scottish, half mystery, and really, mostly as a generic white settler person. Lately it has occurred to me that if I can get more rooted in being a specifically Scottish-descended settler person, I might be able to use that to subvert whiteness a bit. I’m thinking that since whiteness works as a generic, supposedly neutral, supposedly non-racial racial quality, then knowing my ethnicity better might help me to be more aware of whiteness instead of taking it for granted, and also might help start conversations about race and privilege in everyday life. This is very early stages here. I get the impression a lot of people have thought about this, and I have a lot of reading and thinking to do. I don’t know what “understanding my Scottishness” would look like yet. I’m hesitant to suddenly care about kilts and druids partly because maybe they aren’t relevant to me, and partly because I associate, e.g., Celtic knotwork jewellery with New Agers and metal bands. More on that in a minute.
This is part of a bigger, backwards personal growth quest. Years ago I started reading about death and dying, and got interested in denial. There’s a lot of writing about denial in radical politics and anti-oppression work. Privilege and denial, collusion and denial, performance and pretending. Darkdaughta writes (or did write, when she was public) especially clear analyses of how personal denial perpetuates political oppression.
Trying to be thoroughly anti-oppressive, then, merges right up with trying to be an honest person, and both missions lead to sorting through my family dynamics, my parents’ families, and back and back. It’s useful to apply some historical context and political analysis to all of that. So again, I have a lot more reading and thinking and talking to do.
For starters, I’ve been hunting for general history about Scotland and colonialism. It is very easy to find writing about the oppression of Scotland by England, but, predictably, harder to find anti-colonial perspectives on Scottish settlers.
This caption was the first promising thing I found: Professor Geoff Palmer of Heriot-Watt University believes Scotland is still in denial over its role in British slavery. A signal! Involving the codeword, denial! I found some leads and put some books on hold at the library about Scotland and colonialism.
Towards the end of that article though, they are talking about other aspects of the Scottish diaspora, and the subject turns to cultural appropriation.
David Hesse, an “urban intellectual from Zurich”, who gave up a journalism career to study in Edinburgh, says: “You could call my field the imagined diaspora. I investigate highland games in Germany and Scottish clubs in eastern Europe. I look at people dressing up as Scots. Those people have no “real” Scottish ancestry but feel aesthetic connections. I think international fascinations with Scotland and Scottish-looking things are a phenomenon.”
Hesse sees imaginary Scottishness as an identity that is becoming increasingly popular in northern Europe. “It is a folk identity, but it is quite macho. It involves military music and martial games. It is also a generally white phenomenon.”
I laughed when I read that. Cultural appropriation has never inconvenienced me before, but I think this is what’s going on with my cautiousness towards anything celtic. It’s been taken over by metal bands and the scented candle crowd. I’m used to thinking about cultural appropriation from the other end, choosing not to wear dreadlocks or sari silks, not to get tattoos of asian calligraphy, not to use imaginary ancient aboriginal terms for my menstrual period. I think Operation: WTF Scottish Roots is working already. Things that made intellectual sense make a little more experiential sense.
So, hi again internet. It’s been years since I wrote regularly and I think I must still write like a twenty two year old, but I’m ok with just spitting things out until I get the hang of it.
Shhh…
Still thinking in private, mostly.
Shhh…
Continuing to make massive mind and desk upgrades.
Shh…
Doing a lot more thinking than writing over here.
Also, butter is delicious.
Sex is bad, pug is sad.
This reminds me of my favourite t-shirt.
Look good naked, bring your own analysis, a lot of video links.
A bloggy friend of Erin’s posted about a TV show called How To Look Good Naked. I don’t have cable, and I didn’t know anything about this show. This blogger, Sarah, said the show basically relied on body image coaching to help women like their nude bodies, with no weight loss or surgery suggestions at all. I found this improbably thrilling news regarding a reality makeover show, so I looked it up on YouTube. This is from the American version (the original is British).
They just pointed out that plastic surgery doesn’t work? On TV? And they used their feelings to decide how to solve their personal distress? Yay hooray! The clips I found raise a ton problems for me, but wow, I am really happy to see this conversation happening on a mainstream makeover show.
Problems/boring parts:
- That blond mom clearly spends a lot of time grooming and performing “being pretty.”
- The show stars a man as the expert despite being about women’s body image.
- It’s safe to have this man see you in your underwear because he’s gay, but I don’t see anyone pointing out how that makes straight men’s expected behaviour quite obviously problematic. (Also in that clip, host Carsen casually equates strippers and low-class names, managing to bash both at once. There are other ways to make that joke, sir.)
- It focusses on a lot of external validation (mirrors, man host’s perspective, other people’s compliments).
- The show values looking conventionally femme and ‘sexy’ over feeling comfortable (external validation again).
- They have a half-assed acceptance of fat (don’t hide your fat… because that will make you look fatter).
- It demonstrates the conventionally feminine ambigious ‘no’ (giggle giggle smile) and seems to believe that coerced nudity is ok if one person really thinks it’s for the best.
- Obviously the producers just realized that “real beauty” will attract a valuable target demographic (thanks for that, Dove).
- Based only on these clips, they don’t seem to point out that your body has any endearing qualities besides the way it looks.
- The host looks like he’s had some work done himself.
And yet, I am still definitely pleased to see a rounded woman’s butt cellulite on screen in a positive context, hear someone make the basic point that clothes need to fit your body and not vice versa, and even see men touching each other fairly comfortably.
This is a very narrow discussion of body image, but it is at least in a direction that I value: unpacking all the crap that people said you should do and deciding for yourself. (My body and I are totally bff almost all the time anyway, so I’m not disappointed about the lack of new ground.)
It’s quite the comment on the state of TV that eliminating weight loss and surgery without discussing anything else is cause for celebration, but maybe these baby steps will make some room for a similar show that adds a couple of elements, and then a couple more. No weight loss, no surgery, and no dissing fat. Or getting to know your body without looking at it. Queer eye for the straight girl, finally, or a show where women come up with ways to enjoy their bodies without a host/star/authority at all. I dream.
Parrot fears, specialized info, flying
From a bird care listserv archive, info on birds’ fear of falling and about replacing missing feathers. There are so many cheesy human metaphors about flying that it is oddly moving to read about animals for whom flying has actual psychological importance.
Curling, graininess suitably expressing surreality.
I went curling after hours at a rink owned by some friends of my cousin, out near Sidney.
- It was surprisingly fun, in the way that bocci, billiards and croquet are fun. Minimally-confrontational exercises in physics.
- So far I’ve never once been a fan of flattening large areas of land (parking lots, malls, golf courses…), especially land where I understand something about it having been colonized and occupied. It’s extra absurd when the flattening is done for sports. Non-cooperation overload.
- If I were actually into playing sports, I would set up a beautiful place to play for once. Rinks, fields, courses and courts are all so ugly! Wow. I wonder if spending time in artificially lit, flattened out, weirdly-proportioned, echo-y, energy sinkhole type spaces might be damaging on its own, even without the formalized competition and violence and the addiction to contrived adrenaline rushes. (Hi, I have fun ideas about sports!) Certainly people say that about office cubicles, that the ugliness is demoralizing, even without the bureaucratic hierarchy crap.
- And, curling was really fun. Pushing heavy things across ice with measurement marks is basically sensory play. Balance, momentum, angles, stretching, muscles. I bet curling kink parties would be fun.
Good looking light pattern
Excessive red and blue in my kitchen, being impressive, calendar trivia…
For a moment I was feeling disappointed that I hadn’t come up with any simple theme for the photos I’ve been posting this week. (I don’t know if anyone even noticed them, but the matching sets of red and blue and crafty ideas and so on were making me more comfortable.) I got to thinking about the ways I use gimmicks like that whenever I make things, as a way to add automatic value to whatever I produce. Obvious extra effort. If nothing else, the project will look like a lot of work, which is impressive in certain ways, by default. I’m trying to stop doing that automatically and cut to the chase more. Be more honest instead of more impressive. Probably every adult thinks about this at least a little bit, in some context. I thought I was doing alright with this personal growth project, but then at a festive feast with my extended family, a cousin’s friend commented that I seemed well read. That’s probably my number one trying-to-impress-you habit, being smart. It’s complicated, because I do like to learn things and I do like to share what I find out and not hoard it, but if I want to be your friend I will almost surely start telling you a lot of fanciful trivia related by a larger theme instead of, for example, asking you to tell me about things you seem to know that I don’t. Reading about DIY education is helping me work on this. It makes nonconsensual teaching really, really embarrassing.
So. As my early morning mind-map hopefully explains, I was all set to embrace the non-patterned nature of my really low-effort holiday posts. Then I got to thinking about how much I love the way the last week of the calendar year can get divorced from daily reality and kind of out of time. Students and lots of workers are on holiday from their regular schedules, you never know when shops are going to be open, many households have visitors or go visiting, a lot of people eat really strangely… Regular patterns don’t hold. It reminds me of an ancient Roman intercalary festival that I can’t remember the name of. So now of course, that’s my theme for this week’s little photos. Intercalary disorder. I think this sort of doubly violates my goal of not acting so impressive.
Fluffy scarf, secret fluff
This scarf reminds me of my current favourite menstrual gear, fleece-lined underwear (e.g., lunapanties). It’s the right-hand photo that does it. Hidden fluffy surfaces, built for sensation and not for show.
Fertility awareness, old feelings, heart connection
Galen is reading Taking Charge of Your Fertility. Partway through a chapter, he popped in to do a dance of excitement about how interesting he is finding fertility awareness. Ovaries! Mucus! Feedback cycles! DIY science! He asked whether it would have been cool to learn about cycle charting when I was thirteen or so, so I could have had a lifetime archive of data about my reproductive health. Wow, that caused a lot of feelings at once.
First, go team! It is useful and friendly for bio-guys to learn about female physiology, reproductive health, menstrual cycles and all that. I still tell people gleefully about the time last year that (male) Galen and our (male) friend Nathan were discussing their favourite features of the diva cup. (“Well it has marks so you can measure your blood.”) Doing their part to make the world safe for menstruators.
But also, awww, yes I do wish I’d known interesting ways to chart when I was starting out, or had any decent period information. It is amazing to me that after a solid eight or nine years of purposely investigating menstruation and cultivating positive attitudes and general insatiable curiosity, I still get ambushed by leftover sad feelings around menstrual cycles.
I don’t seem to have had an especially negative or ignorant upbringing compared to other people I know, but I managed to accumulate a fair amount of emotional trauma about periods just through a general lack of self-determination as a teenager. Dumb everyday stuff, like I was neither in charge of buying my own underwear nor in charge of how the laundry got done when I lived with my parents, so I was constantly frustrated and embarrassed (and often getting yelled at) about dealing with period laundry. It seems like surely I could have been responsible for either or both of those things if it had occurred to me— I don’t think my parents were that authoritarian— but strangely I remember arguing about wanting to do my own laundry my own way and being unable to work out any arrangement. Even now, I often find simple plans impossible to coordinate with my parents, for reasons I can rarely even remember. It’s deeply confusing. I think part of my lingering upset about menstrual cycles is actually due to the fact that I can’t recall any coherent explanations for past conflicts on the subject. Hmm.
Galen knows all this, at least superficially. I talk about vagina-related feelings with pretty much anyone who’s up for it. The most recent neighbourhood rock club was on the theme of songs to change your past and I picked a song that might have prevented me from going on the pill if I’d heard it while I was resigning myself to modern living through pharmacology. (In The Evening by Nina Nastasia and Jim White, because it makes me feel stubborn and that’s what I needed to be.)
I am sad that I ate all those chemicals, and that it seems to have done some damage to my cervical crypts (where the infamous eggwhite fertile mucus is produced). Sad sad sad. Angry too, to feel so misinformed. Disappointed that I didn’t listen to my own better judgment, and betrayed on behalf of the part of me with better judgment. I said most of that at rock club, but I’m not sure that is something people can relate to without a fair amount of relevant experience or other knowledge. Erin afterwards said she had a grieving process about the pill. Me too, going on it and again going off.
So Galen’s latest round of excitement about menstrual cycles is complicated. I was immediately glad to have company, and also immediately lonely, realizing I’m cut off from the possibility of feeling simple, impersonal excitement about uteruses and their ways. It was good to realize that he’s in the rather privileged position of not having personal emotional baggage about menstrual cycles. Once I managed to make him all sad about my damaged cervical crypts and assorted teen angst, we had a better connection there. It’s good to be on the same team.
So. For my future babies, I keep track of books like Cycle Savvy, in case they don’t want to talk with me about their personal strategies and feelings about periods.
Weird weekend
Yesterday I spoke on a panel discussing the film Petals, which follows a photographer who creates a collection of vulva portraits. In one of the scenes, a woman who has studied some kind of native southwestern or Mexican sexual tradition is naming different vulva shapes. Deer woman, buffalo woman, dancing woman. OK.
Towards the end of the scene her explanation gets away from her a little and she starts just stringing animal names together, at which point Galen and I both cracked up despite ourselves, and despite having the film’s producer sitting with us. “Sometimes you’ll see a woman who is half deer, half sheep, and that’s called a fox, and…” Stop, stop!
During the post-film discussion, a woman in the audience asked about the vulva names and where she could learn more about deer woman and company. It suddenly sounded a lot like the fabled 100 Inuit words for snow. The panel didn’t go there at all, but I wondered what I would do with 100 words for genitals, how that would help me communicate or think. (Howard Rheingold’s They Have A Word For It is a great book on this theme.) I’m not sure I want to get into categorizing body shapes and types. What it really made me want to know was 100 words for feeling weird, because I was deferring a lot of weirdness at that moment on the panel.
When I showed up for the screening, the film festival director didn’t recognize me when I said hi, even though we’ve met several times and my name was in the program. He still didn’t know who I was when he invited the panel to come up front, and instead of covering with any grace he just sort of squinted at me with his mouth open. The producer I was sitting with piped up with my name, so it sort of worked out. Then the panel turned out to be unmoderated, no one got introduced, and the director wrapped up the discussion by walking in front of the stage and shouting “Is that about it?” like a reluctant teacher interrupting a boring student presentation. Whoa.
So I’m looking for a word, English or otherwise, to explain the general sentiment that “This would embarrass a lesser woman, and I’m sure glad that I know better than to let this ruin my weekend. Where are my usual friends and when can I hug them?”
I’m also in search of a word to express my reaction to a photo shoot I organized on Saturday where somebody invited about 30 extra models (quadrupling the total population of the shoot), and other various things. We went to a barbecue and the address was abandoned? Galen was moved more than once, this weekend, to declare, “At least we still have our dignity.”
What is the word for this kind of weekend, and what language has catalogued silly angst in this level of detail?
Paging any unicorns in the area…
My favourite local microclimate effect is the pink snow globe that will sometimes develop on single blocks, where one street’s cherry blossoms are just ripe enough and the wind just strong enough to make it snow cherry petals.
As if it isn’t enough to regularly find sidewalks blanketed in pink flowers, or legitimate drifts of blossoms in the gutters, sometimes we can walk around in air full of swirly pink flakes that smell like cherries. But only for one block.
Something about Victoria’s proximity to the ocean or our particular collection of hills results in very pronounced weather differences between neighbourhoods or across streets. It’s pretty normal to get simultaneous hail and bright sunshine over different parts of your own yard, even.
Consequently we have cherry trees in bloom in different parts of the city from January through almost to June, one pink block here and one there, as each climate pocket hits peak cherry breeding conditions.
Walking past a single fragrant cherry tree is enough to cheer up most people for a few minutes (especially by moonlight!). I’ve had such a prolonged, steady dose now, after four months of spring, that I’m almost ready to cry sometimes when I walk around the neighbourhood and pass through a block-sized cloud of cherry perfume. I’m saturated.
It’s absurd that this tree blossom marathon is even possible, and we’ve got several weeks to go before the Victoria spring season is over. The chestnut trees have barely started, and I just saw my first lilac yesterday. I might as well be on happy drugs.
I went out for coffee with my friend The Hawk today (a real person, not my spirit animal), and the weather was making it clear that this city was built over a coastal rainforest: windy, rainy, gray. I was grumbling a bit on the way home, in the ritualistic way we complain about weather here, and then I turned a corner and there was a snow globe on Southgate Street.
It was raining flowers harder than it was raining water, and the flip side of the rainy climate was suddenly dominant. We get this surreal rainforest light sometimes, where it’s quite bright, but shadowless because of the cloud filter, and it turns kind of green from reflecting off so many plants. The light makes everything look like it is glowing.
It made me feel a little better about the fact that a couple of generations back, somebody paved over the local cedar groves. At least they put up a ridiculous, Dr. Seussian city, where today, for one block, even the vertical surfaces were getting plastered with airborne flowers. On one side of the street, anyway.
I was just about to formulate some mental joke about how unicorns or winged foxes (maybe a talking spirit bear?) could appear at that moment without surprising me, when a few crows started collecting sprigs of cherry blossoms, presumably for their nests. Close enough! I can’t even process little black birds growing up in a pink nest. It’s sensory overload.
My mum has this old, ceramic mixing bowl that is robin’s egg blue, and when I visit her I just want to put things in the bowl and look at them. Yellow cornmeal, white or brown eggs, red lentils, black olives, buttons, a toad, chocolate milk, anything, as long as it goes in the blue bowl. Today was like that; I wanted to look at these crows poking around in a glowing pink and green lawn forever!
Activist patterns
I posted this in a discussion about The Grim Meathook Future over on Warren Ellis’ new Die Puny Humans site.
I find all this talk of leaders and critical masses and movements fascinating. To my mind, everything keeps getting more fractured and more complicated and we can’t put it back in a nice tidy box. Simple, reductionist, comprehensible viewpoints only lasted until we built machines that could handle thousands of variables at once. Now look how many things actually have thousands of variables at work. Practically every news story boils down to “it had more consequences than we thought.”
I don’t think any kind of movement will gel. These problems are bigger than human minds can handle, at least the way we’re used to thinking. When, before now, have average peasants fancied they might figure out how to alter the course of every society on earth in this level of detail? I think progress will be about learning to deal with complexity, and not just the parts with catchy names like “emergence” or “the long tail.” Parts like “a land war in Asia” or “we’re all getting cancer.”
Lots of fields have formal techniques for dealing with complexity. “Scale later” in software, etc. I’d be really curious to collect similar patterns from activists or politicians.
Then I immediately thought of a bunch of possible patterns and places to find them. I’m going to post them here, before I go see to what degree my comment has been eviscerated by other puny humans. I can’t believe I said “practically every…” on the internet. Bring on the nitpickers!
These are mostly about compassion.
- The Fog of War documentary about Robert MacNamara by Errol Morris talks a lot about understanding your enemy and understanding that war is very complicated
- Cory Doctorow says, “If your popular revolution demands that we give up on popular entertainment it won’t be very popular.” I think that’s a big part of the problem facing environmentalism these days.
- The Ethical Slut gave me a lot of ideas about getting what I want without imposing on other people, and about finding ways to collaborate.
- Fernando Flores gave me ideas about using trust as a tool for change, and as a good partner for criticism. I wish his books weren’t so ’80s.
- I’d really like to hear Heather Corrina’s ideas about patterns for activists, because she spends so much time and energy on activism.
- Lots of people talk about 80/20 rules, but I like Umbra Fisk’s explanation best.
- Women, Passion and Celibacy is really angry and ranty, but it had a lot of good ideas about doing without things, in this case sexual relationships. The author compared celibacy to vegetarianism, which actually blew my mind. I like to compare both those things to atheism, and reduced consumerism.
I’m finding underwear really inspiring today
Chris has to get a short haircut for an acting role. We had a little chat, over lemonade, about haircuts and vanity and self-esteem and so on.
We both sounded a little disappointed that identity could get so tied up in haircuts; it seems like a confident person should be able to transcend something as trivial as a haircut, and yet here we are worrying about our ‘dos.
Possible ways to weasle out of this:
- call it style, or personal expression
- point out that hair has a big impact on faces, and faces are a primal staging ground for identity
- turnabout is fair play: sure it’s trivial, so who cares if I care about my hair?
But yeah, weaseling about vanity is hard to do effectively. Once you start pointing out all the things that humans do out of vanity, it gets to be a bit of a sandpit, caving in on you whenever you try to build a way out. If I were still my 16-year-old self, I’d be willing to spin you a reductionist path to the conclusion that everything is vain. Doing nice things for other people? Oh, I guess you just want them to like you so you’re manipulating them with kindness.
Later this evening I realized that I have a similar relationship with underwear as I do to haircuts. I hate wearing boring or ugly underwear, and I sometimes like an outfit better just because I have, e.g., ruffly-backed hipsters underneath. My panty salad contains many colourful frills. This is silly, and yet… I get a lot out of fancy panties.
I’m not in the mood to tie this into the power of costumes, or ornament as communication, or a confession of my own vanity, or any of those angles, but I will happily point out that admiring these overpriced panties is inspiring a lot of jellyfish couture in my head.
This model (meaning the garment) is the most like a jellyfish, with folds and sheer ruffles. It could use some streamers.
These are giving me ideas about new places to add gathers to garments.
This is only conceptually like a jellyfish, and I admit I had already considered gathers in this location…
I’m not sure lace is necessarily jellyfish-esque (too structured, too vertebrate?), but this particular lace arrangement does evoke a muff peeking out, so it gets points from me.
Haircut tip
If you get a haircut and you kind of hate it, and you find yourself being a dink to everybody, phoning up your friends and saying things like, “wanna come see my shitty new haircut?”… there is a way to save yourself. I tried styling it a lot, I tried leaving it alone, I tried waiting, I tried whining, I tried optimism, I tried resignation, and what finally worked was taking a lot of grouchy photos of myself until I managed to take one that looked cute.
My new haircut: a rollercoaster
Now I like it. I can’t decide if I feel silly or not, for spending 24 hours figuring out how to like my new hair.
How are we going to get all these bears back in?
Victoria has a history, and I think a proud history, of shitty public art. Until recently, the scope of debate could be summed up as a war between abstract sculptures that annoy old people and hockey fans, and a teeming horde of orcas.
Orca murals, orca mosaics, orca sidewalk chalk, maybe an eagle or a salmon painted somewhere for good measure, but most prominently, a whole army of mass-produced, fiberglass Orcas In The City sculptures, each decorated by a different local artist.
Orcas In The City were bland and oppressive (seriously— the organizers put ‘Arts’ in quotations in their goal statement), but no one was supposed to complain about them because they were only temporary and they were auctioned for charity. Think of the children.
I flipped the bird on one of the more overtly branded Orcas at least once, but I regret never having ruined a tourist’s Orca family portrait by humping an exposed tail flipper or something. I have a lingering vendetta about the Orcas, with apologies to The Children.
Enter Spirit Bears
Suddenly, this spring, a new menace. Sir Bartholomew is not alone, and he’s even less distinguishable from the other Spirit Bears In The City than was the typical Orca In The City. A spirit bear is a white grizzly bear, if you’re not familiar with Pacific Northwest variations on junior high unicorn-and-kitten fetishes, and the decoration jobs seem to have been rationed out exclusively to the artists who made their Orca contributions look the most like the inside of a Starbucks. It’s wall to wall funky neighbourhood scenes. I know I’m biased towards neon red and blue as the official colours of 2006, but I don’t think I’m alone in believing that yellow and purple should take a well-deserved break. Let yellow and purple recover from their hard work portraying free spirits and Italian snack foods.
Worst of all, the Spirit Bears have broken free of the tourist containment zone and have been popping up as far from the Inner Harbour as Island Blue printers. I yelled out loud when I spotted the specimen at Fort and Quadra.
What’s a concerned citizen to do? How are we going to get all these bears back in?
Toronto got saddled with Moose In The City, so apparently this ride doesn’t hit bottom until it has dipped deep into Canadiana cliché pap. This aggression must not stand! Besides writing to the organizers at the Lions Club and begging them to at least consider funny animals for future mass-blanding fundraisers (goats are a good standby), what is the fitting response?
Three different people have suggested blowing up the bears somehow, but I’m taken with this Knitta Please textile graffiti. I don’t have the time or the tendon health to knit any quantity of bear shrouds, but I think some sewn hoods secured with zip ties would do the trick. As much as the bears stimulate my gag reflex, I’m a non-destructive kind of person and I wouldn’t want to actually destroy someone’s art.
I favour a sign reading “Out of Order” as the finishing touch.
I think you mean BEARtholamew
The perfect gift for certain occasions
I propose psychotherapy as the official gift for Mother’s Day and other family holidays. So fitting! So amusing!