Tag: project ideas

De-colonizing and Fair Isle knitting.

sarah

Keep Abortion Legal sweater by Lisa Anne Auerbach

Keep Abortion Legal sweater by Lisa Anne Auerbach (2006).

These are old notes from 21 February 2009. I said I had lots of ideas and then didn’t say what any of them were… I think they were mostly about working with explicit symbols and words using Fair Isle techniques, like the LAA sweater in the photo (which uses Norwegian patterns, I think, not Fair Isle).

I just read several knitting books and several anti-colonial books at the same time, and I have all these new ideas about my own knitting. As happens when you read different topics at the same time, I found where they overlap and connect. An example.

From Michael Pearson’s Traditional Knitting: Aran, Fair Isle and fisher ganseys, 1984.

Pages 121-2.

[The Shetland Islands] lie to the north east of Britain and are in fact closer to Norway than mainland Scotland. … The inhabitants owe their heritage to the Norsemen who settled there in the 8th and 9th centuries, living under the patronage of Norway for over 500 years before the influx of Scottish mainlanders in the 13th century. Norse influence then began to fade and ended with the sale of the islands in 1496 by Norway to the Scottish Crown.

From this date right through to the present day the history of the inhabitants has been one of ruthless exploitation— by the Stuart family till 1615 and then by the splitting up of the islands into estates run by rich immigrant Churchmen and landowners…

The two knitting traditions that had the most resonance for me were Cowichan sweaters and Fair Isle knitting, both affected by Scottish colonialism. The more I read about Scottish history, the more it seems like Scotland has been a volcano of settlers for hundreds of years. They can’t stay home. Why? I continue to read. I want to know more about how I ended up here, descended from at least five different Scottish settler families on Coast Salish territories.

But. Ideas I got from this round of reading.

  • Folk knitting history is patchy and there are many versions of events and stories.
  • Reading books by American and British people mostly involves serious denial about colonization of any kind. It’s almost a relief to read books about North American genocide, because at least the destruction is presented as destruction. I read one book about Fair Isle knitting that presented Norway’s sale of Fair Isle to Scotland as simply a “reflection of the fact that the island was by then more Scottish than Norse.” OK, author, but how did that happen?
  • Knitting has labour politics as well as the more discussed gender roles. I hadn’t thought much before about the history of underpaid cottage industries where poor people knit clothes for rich people, for peanuts per hour. It is still basically impossible to make a living wage selling hand knitting. Like gardening, it’s one of those subsistence activities that middle class people dabble in for leisure. Not sure what to do with that right now.
  • Again, being a folk art, patterns and ideas spread whenever one crafter meets another (or even a craft). It sounds like Cowichan spinners and weavers were keen to pick up knitting from European settlers and missionaries, just as crafters. But also, English style knitting (yarn in the receiving hand) was taught in residential schools as a “civilizing” domestic skill, sometimes to produce items the school sold for profit. I want to find out how Turkish style knitting (with the yarn around the back of the neck) ended up in the Andes, when by the time of colonization I think Iberians were knitting in continental style (yarn in the loading hand). So far I haven’t found a resource that has both crafty knowledge and awareness of colonialism.

More from Michael Pearson.

Page 128.

Because of the natural tendency to identify with areas within reach, British knitters have usually assumed that Fair Isle was the place where two-colour knitting was invented.

I don’t know how natural that is. It does seem to be part of British and maybe European culture, to assume cultural dominance or sameness. Do non-Euro people have a history of that too? Assuming that everything was invented nearby just because it’s here now? (Two colour knitting, as far as I have been able to find out, first turned up in Turkey and Egypt, then spread via trade routes to Baltic and Nordic Europe.)

Embodiment and drifting.

sarah

Old half-baked draft from 11 December 2008. I kind of want that asterisk question on a t-shirt. I think I was really asking **** How do I want to talk about this on the internet after such a long break??? ****

Talking to Heather about embodiment, being in your body. She had an idea that maybe when teenagers are focussed on having sex even when it is pretty “rape-y” and risky and not beneficial or pleasurable, it has partly to do with their lack of other ways to feel their physicality and be in their bodies. No access to nature, nowhere to safely walk, not allowed to play outside unsupervised, even encouraged to eliminate or replace all body odours, etc. That’s a lot of pressure on sex for being physical.

It got me thinking about how I relate to the internet. I’m on here a LOT, in this disembodied place.

Anyway. I’ve been realizing that one of my big ways to be in my body for the last year or so has been looking at things. Sensing with my eyes, and sensing the reactions my body has to colours and shapes (and letters, boy howdy). When I got to go to the UK with my mum last fall, and we spent so much time in art galleries because it was rainy, that was the most physically altered I’ve felt since I stopped eating psychedelic drugs. High on modern art— physically dizzy and speedy and sometimes getting auras like before a migraine, from seeing enough art nouveau in one room to really experience and understand the concept of biomorphic whiplash. I made this website these colours because they do similar things to me— they are stimulating and encouraging and they make me want to write. I remember using music that way in the past. Galen would come home sometimes and be able to tell when I was working on something important, because I’d be blasting some or other personal power music. In high school— I just remembered this— I did a lot with smells. Other people’s sweaters, specific incense, open window when it rained.

*** where does fucking fit in?? ***

So, notably, none of this involves movement or muscles. It’s all sensing and processing and information. It’s physical to me, but it’s what a lot of people would identify as being in your head.

My forays into physical activity are marked by a lot of head time, too. Office bike— the exercise bike I can pedal while I make websites. Wing chun— if I have to punch and kick to learn which way shoulders bend and how momentum works, I guess that’s alright. Fucking— “erotics is the process through which sex acquires meaning.” I think I get bored, otherwise.

I’ve been casting around for some more physical motion in my life, to make me stronger.

I have high hopes for a bastardized version of this pretentious French art thing, the dérive, or drift. Walking to nowhere. OK. I do not like walking for the sake of walking, even though I love walking. Growing up, my parents were all about taking a walk, but not so much about negotiating where to walk or talking about what they feel like on the walks or whatever, so I have a lot of stored up experience being deeply bored with walks.

Walking to nowhere: ok. Just paying attention to see where you want to walk the most: ok. Also, paying attention to local geography and how it feels, that can go on forever. I think this could be useful in trying to figure out more of how I relate to being a settler on colonized land.

So yeah, I’m glad I’ve practiced walking by myself, home alone from various locations. I’m glad Victoria is a mostly non-threatening place for me to walk around.

Plant dyes, having a smell, odourlessness in general.

sarah1 Comment

Lump indigo (blue)
Old recipe from Outer Hebrides

Boil wool with onion skins till clear yellow, then let wool dry. Have an old pail filled with urine at least two weeks old, or until skin forms on top… Put lump indigo in a muslin bag, heat the “bree” by placing a hot stone in it. Squeeze in the blue bag. Wet the wool and place in the liquid. Cover the vessel and place where it will keep warm… For navy blue, 11 to 21 days are required. Fix with boiled sorrel roots as rinsing water.

— Dye Plants and Dyeing, Brooklyn Botanic Garden Record, 1964.

Books about natural dyeing have a lot of lore I hadn’t foreseen. So many smells! Boiling weird fungi, soaking fiber with onions (“It will take at least four washings to eliminate the odour”), fermenting urine. One book detailed an argument between the author and her editor about whether traditional Harris tweed, dyed with lichens, smelled “musty” or, less judgmentally, “earthy.” I had no idea that tweed used to have a smell. I am fascinated by this, and want to dye all my clothes with different plants to get to know the smells.

Why don’t I expect my clean clothes to have a smell? Not a laundry scent, but a part of their nature. I can remember talking about the smell of my clothes like a normal thing, all the time. Wool sweaters smell sheepy if I get wet in the rain. A couple of weeks ago I told someone (who?) that I liked the smell of raw silk, because I was knitting with a silk blend yarn. I can recall the scent of cotton in my mind’s nose: wet, dry, or hot. Why did I still think of clothes as odourless?

Heather wrote once (or maybe we spoke) about why people are so obsessed with genital odours. Do they smell right? Do they smell too strong? How to keep the smells in control? She suggested that this was partly because we have come to expect the entire rest of our bodies to have no odours at all. Healthy hair, feet, armpits, mouths, and skin in general all have smells, too, but between washing and deodorizing they’ve been redefined as ideally odourless. It’s total fantasy, bodies still smell, but we expect odourlessness. (Like my clothes!) Compared to that, genitals are almost getting smellier by contrast.

Thinking about the more familiar politics of body odours makes me even more interested in knowing what smells are required to make the colours in my clothes. These plant dyes seem like an opportunity to make experiential connections, to know things by observation. To have know what clothes smell like and why, instead of not knowing what shocking petrochemical smells are happening at distant textile factories. It feels grounding. Educating my mind’s nose. I have some pondering to do, regarding wood smoke and other smells that have been banished from modern, civilized, classy life.

I think I will start slow, though, with tea and lavender dyes. Fermenting a bucket of my own urine is going on the “someday I will peek behind this curtain” list along with attending a pig or goat slaughter. Someday.

In praise of experiencing underwear.

sarah

Fifi, by Strumpet & Pink

Willow, by Strumpet & Pink

Hunting Through the Ruffles, by Strumpet & Pink

Garden of Delights, by Strumpet & Pink

From the Strumpet & Pink website, a goal I can get behind:

Our knickers are experiential and focus
on feeling rather than objectification.

Years ago, my friend Logan talked so much about wanting velvet underwear with the pile facing inwards that someone finally made him some. Fuzzy on the inside.

Apologies for all the skinny, pale-skinned bums. I thought the ruffles were worth it. I am imagining my future undercrafts.

I’m noticing how gardening books can be colonial.

sarah1 Comment

Edible gardens have been part of human culture for thousands of years. Along with harnessing fire, developing the wheel and domesticating animals, cultivating food is one of the benchmarks of human advancement. Growing plants that provide food and learning to store it for times of scarcity were advancements that allowed humans to develop civilizations.

— First paragraph of the introduction to The Canadian Edible Garden: Vegetables, Herbs, Fruits & Seeds by Alison Beck.

It’s been awhile since something like “the benchmarks of human advancement” would have slipped by me as a neutral measurement (when you define everyone’s progress by how similar they are to you, you can assume have problems with privilege), but I think I am noticing more assumptions now about the value of civilization and technology. I’m also noticing that the author’s list of “advancements” that allow humans to create civilizations skipped over colonization, slavery, militarism, genocide and all that.

I recently read Endgame: The Problem of Civilization & Resistance (thanks for the tip, Sarah), which is a thorough take-down of the assumption that civilization is an advanced way of living (vs. unsustainable and terrorist), that the point of technology is to become advanced (vs. to maintain a relationship with your landbase), that agriculture is an efficient way to gather food (vs. temporary and destructive). I think that was the book that got me reading about destroying agriculture. I’ve been reading a lot of books at once; it’s hard to keep track.

I am seeing this garden book as much more oppressive than I would have before, with a Eurocentric, anti-indigenous, environmentally unconscious position.

This is good, it gets me thinking about my love of gardening. I’m realizing that what I care about is getting to know plants and soil and living systems, resisting consumerism and capitalism by gathering my own food, and taking time to physically experience and love a patch of the outdoors. None of that actually requires a garden. I could be wildcrafting, or working more with local plant permaculture and forest gardens. Those are difficult when land is privately owned and violently policed, and wilderness is mostly destroyed and constantly under threat. Wild forests don’t need me in there taking all my food right now. And it’s hard to conceive of perennial ecosystems on temporarily rented space.

So… how could I be talking with my neighbours about guerrilla permaculture and land reclamation?

I hope this ends well.

sarah

I posted this on Craigslist today (personals > strictly platonic?).

Can I poop in your composting toilet?

Date: 2009-03-25, 12:34PM PDT

Or even just see it and ask you a couple of questions?

They seem so cool in theory, but I would like to try one out in person before I get too excited about the “convenience” and “lack of smell.”

Thanks in advance for sharing your humanure revolution.

  • Location: victoria
  • it’s NOT ok to contact this poster with services or other commercial interests

I’m ready for my telepathic computer now please.

sarah

New device reads minds pretty well.

Whenever I read articles about advances in computer mind-reading technology, they focus on the benefits for paralysed or locked-in people. Fair enough, but I am also waiting for my generic mind-to-computer input device. Could you not then basically send telepathic messages to your friends? If a computer can read my mind, and computers can already talk to each other… that means I can send telepathic email at least. It makes me laugh. It’s such a clunky, budget vision of telepathy, but I think it’s good enough.

A few years ago, after seeing a documentary about a locked-in man’s telepathic computer, I had elaborate fantasies of starting a company to manufacture open source, recyclable, telepathic PDA things. It would be such an interesting device to design interfaces for. In my elaborate fantasy, there are mind-reading headphones that whisper interface feedback to you.

Being apparently more environmentalist than the average geek, I barely even buy any electronic gadgets, but I am so compelled by the prospect of adjusting my music volume up and down with my mind that I thought I might have to move somewhere cheap and kidnap an engineer to make it happen.

I have since chilled out, but I note with delight that these articles are showing up more often.

Ruffly thing to knit

sarah

Knitted neck thing by LUBEE on craftster

My instinct is to knit up a weird costume/uniform and wear it every day. When I don’t instantly know the name of an article of clothing, I seem to interpret it as having some qualities of a costume. This is a ruff, I suppose. I feel it is festive.