For Derrick: “The source of the exhilaration is the explosion of perception.”

So I am reading MIT’s first year computer science textbook from the early 80s and the foreword is by Alan Perlis, the first recipient of the Turing Award. It is full of the kind of thing I am thinking about when I wonder if computer programmers have always had a quasi-poetic streak.

Every computer program is a model, hatched in the mind, of a real or mental process. These processes, arising from human experience and thought, are huge in number, intricate in detail, and at any time only partially understood. They are modeled to our permanent satisfaction rarely by our computer programs. Thus even though our programs are carefullly handcrafted discrete collections of symbols, mosaics of interlocking functions, they continually evolve: we change them as our perception of the model deepens, enlarges, generalizes until the model ultimately attains a metastable place within still another model with which we struggle. The source of the exhilaration associated with computer programming is the continual unfolding within the mind and on the computer of mechanisms expressed as programs and the explosion of perception they generate. If art interprets our dreams, the computer executes them in the guise of programs!

Structure and Interpretation of Computer Programs

Interdependence, ex-vegetarians, crossing the streams.

Been thinking so much about being vulnerable with people and asking for help, while sorting through surprising and painful life changes. Noticed this old quote kicking around as a draft and liked it all over again today. It’s about food, but I’m thinking about feelings when I read the bit about not trying to get out of debt, not trying to be self-contained.

In his book Long Life, Honey In The Heart Martin Pretchel writes of the Mayan people and their concept of kas-limaal, which translates roughly as “mutual indebtedness, mutual insparkedness.” “The knowledge that every animal, plant, person, wind, and season is indebted to the fruit of everything else is adult knowledge. To get out of debt means you don’t want to be part of life, and you don’t want to grow into an adult,” one of the elders explains to Pretchel.

… This is a concept we need, especially those of us who are impassioned by injustice. I know I needed it. In the narrative of my life, the first bite of meat after my twenty year hiatus marks the end of my youth, the moment when I assumed the responsibilities of adulthood. It was the moment I stopped fighting the basic algebra of embodiment: for someone to live, someone else has to die. In that acceptance, with all its suffering and sorrow, is the ability to choose to live a different way, a better way.

— From The Vegetarian Myth by Lierre Keith, page 5.

Ex-vegetarian inspiration strikes again.

Embodiment and drifting.

Talking to Heather about embodiment, being in your body. She had an idea that maybe when teenagers are focussed on having sex even when it is pretty “rape-y” and risky and not beneficial or pleasurable, it has partly to do with their lack of other ways to feel their physicality and be in their bodies. No access to nature, nowhere to safely walk, not allowed to play outside unsupervised, even encouraged to eliminate or replace all body odours, etc. That’s a lot of pressure on sex for being physical.

It got me thinking about how I relate to the internet. I’m on here a LOT, in this disembodied place.

Anyway. I’ve been realizing that one of my big ways to be in my body for the last year or so has been looking at things. Sensing with my eyes, and sensing the reactions my body has to colours and shapes (and letters, boy howdy). When I got to go to the UK with my mum last fall, and we spent so much time in art galleries because it was rainy, that was the most physically altered I’ve felt since I stopped eating psychedelic drugs. High on modern art— physically dizzy and speedy and sometimes getting auras like before a migraine, from seeing enough art nouveau in one room to really experience and understand the concept of biomorphic whiplash. I made this website these colours because they do similar things to me— they are stimulating and encouraging and they make me want to write. I remember using music that way in the past. Galen would come home sometimes and be able to tell when I was working on something important, because I’d be blasting some or other personal power music. In high school— I just remembered this— I did a lot with smells. Other people’s sweaters, specific incense, open window when it rained.

*** where does fucking fit in?? ***

So, notably, none of this involves movement or muscles. It’s all sensing and processing and information. It’s physical to me, but it’s what a lot of people would identify as being in your head.

My forays into physical activity are marked by a lot of head time, too. Office bike— the exercise bike I can pedal while I make websites. Wing chun— if I have to punch and kick to learn which way shoulders bend and how momentum works, I guess that’s alright. Fucking— “erotics is the process through which sex acquires meaning.” I think I get bored, otherwise.

I’ve been casting around for some more physical motion in my life, to make me stronger.

I have high hopes for a bastardized version of this pretentious French art thing, the dérive, or drift. Walking to nowhere. OK. I do not like walking for the sake of walking, even though I love walking. Growing up, my parents were all about taking a walk, but not so much about negotiating where to walk or talking about what they feel like on the walks or whatever, so I have a lot of stored up experience being deeply bored with walks.

Walking to nowhere: ok. Just paying attention to see where you want to walk the most: ok. Also, paying attention to local geography and how it feels, that can go on forever. I think this could be useful in trying to figure out more of how I relate to being a settler on colonized land.

So yeah, I’m glad I’ve practiced walking by myself, home alone from various locations. I’m glad Victoria is a mostly non-threatening place for me to walk around.

“Because love always causes a descent into the Death nature…”

These are quotes from Women Who Run With The Wolves that have been sitting here with no context, unpublished, since February 2009. I think I was interested in talking about love beyond infatuation, love as an action or alliance instead of a feeling. I still am.

I haven’t posted anything here, or done much writing at all, for many months. Spitting out some old drafts seems like a good re-entry. I seem to do this every now and then. Maybe I can promote it as a personal feature instead of a bug.

Anyway. Old quotes.

A part of every [person] resists knowing that in all love relationships Death must have her share. We pretend we can love without our illusions about love dying, pretend we can go on without our superficial expectations dying, pretend we can progress and that our favorite flushes and rushes will never die. But in love, psychically, everything becomes picked apart….

What dies? Illusion dies, expectations die, greed for having it all, for wanting all to be beautiful only, all this dies. Because love always causes a descent into Death nature, we can see why it takes abundant self-power and soulfulness to make that commitment.

More…

In wise stories, love is seldom a romantic tryst between two lovers. For instance, some stories from the circumpolar regions describe the union of two beings whose strength together enables one or both to enter into communication with the soul world and to participate in fate as a dance with life and death.

And more.

It is true that within a single love relationship there are many endings. Yet, somehow and somewhere in the delicate layers of the being that is created when two people love one another, there is both a heart and breath. While one side of the heart empties, the other fills. When one breath runs out, another begins.

Unyeasted bread, quests.


Unyeasted breads have a deep, hearty, honest spirit with a certain substantial integrity. Dense and thick-crusted, they require a good bread knife for cutting and a certain endurance for chewing…

No matter how much I mentioned the dense, “bricklike” nature of some of these breads, still I received many letters from people wondering why the bread came out of the oven like a piece of building material. O.K., they are not to everyone’s taste, but some people really like this sort of thing: “How real,” they say, “How flavorful.”

— Edward Espe Brown in The Tassajara Bread Book, 25th Anniversary Edition

I’ve been finding a lot of inspiration in a particular kind of far-out food book. Not dietary inspiration; something like philosophical inspiration. Emotional inspiration? Attitude inspiration. The connecting thread seems to be authors who used to practice more extreme diets. Former vegans, former macrobiotics, former hippies. Some of these books have consistent ways of respecting radicalisms and moderations at the same time, finding another level of inclusion where you get the thorough, grounded ethics of radical thought without the isolating righteousness. I find myself re-reading bits of non-content like the introduction to a recipe, just for the tone or the attitude.

Does that Bread Book passage do any of that for anybody else? I know I’m reading the way I need to read.

This is helping me rename a personal communication quest that I’ve been naming and renaming for, I don’t know, fifteen years? My teenaged fixation was how to be honest and also nice (both in the sense of liked and in the sense of kind). Later it was how to have a critical analysis without alienating people who don’t. How to be compassionate without self-censorship. How to make space for differences without them being cast as disagreements or negativity. How to maintain boundaries without being judgmental. Consideration without passivity. Empathy without enabling. Belonging without conformity. How to make connections across differences. All of these draft mission statements have been discarded or modified, but I’m getting somewhere. I want to joke that it wouldn’t be hard to be both more honest and more kind than teenaged me, but that isn’t true. It has been hard!

Flipping through a chapter called Vegetarian Ethics and Humane Meat that kept me up late last night, I have totally failed to find a quotable section. I started just collecting words. “Much depends,” “life and death and life,” appreciation, reflection, mistakes, “not so easy,” “Plan B,” courage, “emotionally spent,” responsibility, “more directly involved,” experiments, clumsy, “I’m very curious,” “our memories diverge… isn’t memory funny?” Vocabulary for a big, thoughtful mess.

Who said that keeping up with fashion is the ultimate way to create anxiety? Connecting people in a big mess seems like the opposite to that. Seeking ways for many fashions to co-exist together is comforting and useful. So I guess that’s the communication quest for now. It must seem like this is too abstract to possibly be useful in my real life, but I bet I will refer to this in the next 24 hours, trying to explain a decision or action to someone. “It’s like the unyeasted bread! I know how to do this!”

A funny moment in science violence.


The impassioned claim that there exists an unemotional, value-free scientific method (or context of justification) may be interpreted as an emotional rejection and repudiation of the feminine and, if this is so, it would mean that scientific practice carried out (supposedly) in an “objective,” value-free, unemotional way is in fact deeply and emotionally repressive of the feminine.

— Brian Easley, “Patriarchy, Scientists, and Nuclear Warriors”

Galen forwarded me a reading for his feminist men’s discussion group and I laughed out loud at this part. The rest is here: Patriarchy, Scientists and Nuclear Warriors, by Brian Easlea.

Dot in the Dreamy Garden

In her golden years, my mom suffers from Dementia with Lewy Bodies (think Parkinson’s + Alzheimer’s).

Here we are in the garden. She’s calling me Jim (my father’s name) and thinking she’s having a dream…

I expected this video to make me sad, but I felt happy watching it. I spent a lot of afternoons sitting in gardens with my grandpa in his advancing dementia, and our interactions were often like this. Me guessing what would help him or soothe him, just sitting and telling each other we loved each other with words and pats and hand squeezes. My trying to understand his observations but not really getting it; him trying to understand my observations but not really getting it; both of us trying to be ok with that. I’m happy that sometimes when communication breaks down, it can break down into just inarticulate love.

And I just posted about putting ugly things in context to make them beautiful.